Time Wharp and CH Rom made 'Radical American Hippy Kraut' during the last gasp of the Pax Americana, an empire’s epochal decline marked by spiritual stagnation and both normalized and sensationalized social injustice. Spying out patterns of self-obsession in life under the quotidian drudgery of the 21st century’s most famous decrepit patriarchal republic, Wharp and Rom devised a project to spur on new life in these old times.
RAHK arrives full of colorful, clear electronic pop jams that smash the glass of screen life and breathe infinitely outward, inflating a delightful hall of mirrors. This music bustles in dialogue with ‘60s krautrock experiments: all pulse, no histrionics. Songs re-member onto anesthetized ears the breakneck jubilant motivation of driving on a highway clear of cars late at night, the world’s blurred movement lit just orange enough to make out waving synth lines. Insistent drums and bass inter-pulse like electric braids of hair on a head swirling methodically, promising something solid as earth. It amounts to a dance and a regard: upward facing, outward reaching, saluting a future worth ambling toward/into. Invite yourself to ripple into this music and admire its cool consistency. Windows down, no cops, no ads.
In my imagination “cosmic music” (kosmische Musik) speaks to a West Germany addled by nightmares of itself, stuck in hallucinations of barely-yesterday Déjà vu, experiences of catastrophe bifurcating between past and present, both sides of the wall, pendularly caged in chaos enacted by invisible, seemingly cosmic forces drawing maps over people. The expanse of this music is not a druggy zone of checking out. It’s an affront. With today’s fascisms strutting publicly, RAHK time travels to scramble their signals and generate a rumbling dissent machine meant to be played and replayed. Against nostalgia, RAHK grounds itself in the past as a form of communal defensive action. A holy bell toll closes the album together with celestial chords from a church organ. Someone’s Sunday has come to climax in ministration. Is that you?
'Radical American Hippy Kraut' is now available on Astro Nautico and JASS Records in limited 12’’ vinyl and digital formats.
released March 29, 2019
Radical American Hippy Kraut was recorded
July 2016—January 2018,
in Brooklyn, NY, at Prosperitopia 409 and
Mozart Street Studios, and in Waldwick, NJ at JASS East.
All songs conceived, written, arranged, produced, performed and recorded by Time Wharp and CH Rom
and featuring the blessed charms and assistances of
DR. KAYE C-N
Van dyke brown
LEILA B. LOVELL
Additional engineering and recording by RYAN HOWE
Mastered by PHIL MOFFA
Georgia cicadas on Pullman’s by OBSIDIAN MEATSTICK
Art, concept, story, and casting by WHARP & ROM
Thanks to Ryan, Tyler, Kaye, Veronica, Tristan,
Linwood, Leila, Jean-Luc, Karen Byrd,
Shuggie, Amanda, Chris, Judah,
Mani @2R, The Spirit of Mozart Street,
The Greenpoint Steinway Gallery, Crystal Thrash,
and The Fathers of Astro Nautico.
supported by 8 fans who also own “Radical American Hippy Kraut”
smooth yet frantic afro jazz with real contemporary drive. pushing the envelope, ridding of the clinical academic austerity but embracing the warm free spirit of ancestral jazz and bloodlines. Rebel Up SebCat
supported by 6 fans who also own “Radical American Hippy Kraut”
The collage of sounds on this record fit so well together: traditional instruments, electronic dance, experimental soundscapes, IDM... The individual tracks are great, but this project truly excels when taken as a complete work. If you're at all interested in what's going on in the forefront experimental electronic music, this is where you should start Ryan Krantz